Experimenting with randomization techniques and unconventional tuning systems This harmonic tuning system has a fundamental frequency of 13 Hz, with each successive semitone being 13 Hz higher than the previous.
90s Manchester Baggy Mentality and Microtonality on the Fritz at the Hacienda Factory. Music entirely inspired by the QR Code for ambientestoerica.com and its corresponding ASCII binary code in 8-EDO (eight equal divisions of the octave).
What would happen if the individual triangles of the Theodorus Spiral were converted into a Xylophone? While comparing the areas of the first sixteen triangles, interesting harmonic ratios appear. Aside from the expected odd microtonal and macrotonal intervals, Perfect Fifths, Octaves, and Tritones also reveal themselves.
An auditory path for guided metamorphosis
Polyrhythms were created from the orbital periods of the four Galilean Moons as they revolve around Jupiter: Io, Europa, Ganymede, and Callisto.
An experiment with rhythmic patterns created from the first 101 prime numbers in sequence. Additional accompaniment is generated from the twin, cousin, and sexy primes in the same set.
Poly Microtonal ambient music created with an aleatory approach to composition. The tuning system for this piece of music comes from three curve functions: Sine, Cosine, and their Arithmetic Mean. sin(x), cos(x), and (sin(x)+cos(x))/2
Tarot Wheel of the Year featuring the sound of five simultaneous coprime cycles. Tunings used: 12edo 10edo 7edo Deck: Thoth Tarot
An experiment with a distorted synthesizer tuned to the Serpentine Curve function. It could be considered an irregular or unconventional temperament because it contains microtones and macrotones. This improvisation features a two-octave range spanning 49 keys on the keyboard with the notes rising or falling as it follows the Serpentine Curve. With Middle C placed…
An experiment with a synthesizer tuned to the Catenary curve function. It could be considered an irregular or unconventional temperament. This brief improvisational drone spans a four-octave range from C1 to C5. The widths of the semitones begin in a microtonal range, then grow increasingly more macrotonal as they approach the fifth octave 49 notes…
